{"id":1424,"date":"2018-04-26T12:00:54","date_gmt":"2018-04-26T11:00:54","guid":{"rendered":"http:\/\/cmni.co.uk\/?p=1424"},"modified":"2018-04-26T12:00:54","modified_gmt":"2018-04-26T11:00:54","slug":"keith-urbans-new-album-graffiti-u-out-tomorrow","status":"publish","type":"post","link":"https:\/\/cmni.co.uk\/index.php\/2018\/04\/26\/keith-urbans-new-album-graffiti-u-out-tomorrow\/","title":{"rendered":"Keith Urban&#8217;s new album &#8216;Graffiti U&#8217; out tomorrow"},"content":{"rendered":"<p>This Friday (April 27th) marks the release of\u00a0<strong>Keith Urban<\/strong>\u2019s GRAFFITI U, his first new studio album in nearly two years.\u00a0 The much-anticipated follow up to 2016\u2019s record-breaking, No. 1, platinum album RIPCORD, GRAFFITI U is a natural musical progression that began with FUSE, but it also marks where Urban currently resides creatively. It\u2019s this sense of presence during his writing and recording process that gives each of Urban\u2019s albums an unabashed honesty and authenticity.<\/p>\n<p><!--more--><\/p>\n<p>\u201cThere were no parameters or preconceived ideas,\u201d says Keith.\u00a0 \u201cI began this process with a completely blank canvas. Every initial spark is organic and then expanded upon, like the art of graffiti, so the name really fit the music. I also liked the idea of \u201cyou\u201d the listener (or the audience), because this is an inclusive experience. And because of my last name we had a little grammatical fun and shortened it to U.\u201d<\/p>\n<p>When Keith titles his albums, he usually does it with a lot of care, time and consideration. The last two \u2014 Ripcord and Fuse \u2014 had energy-driven titles, while his new record, Graffiti U has a very free, no boundaries feel to it. \u201cAs the record started to reveal itself to me, the word \u2018graffiti\u2019 kept coming to me out of the blue,\u201d says Keith. \u201cI\u2019ve always loved that word, loved the sound of the word, and then I loved the fact that it\u2019s art-driven. When I think of graffiti, I think of self-expression, personal expression, absolutely personal expression whether you\u2019re painting something on the side of a building in a city or whether you\u2019re painting \u2018Billy Bob Loves Charlene\u2019 on the side of an overpass [laughs], it\u2019s all graffiti and it\u2019s all free and pure and very personal, and I thought this record feels like that to me.\u201d<\/p>\n<p>A soaring spirit spray-painted right from the heart, Keith\u2019s curiosity powers each moment on GRAFFITI U and the very title speaks to that personal and passionate vibrancy, vitality, and vision.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\">\n<p lang=\"en\" dir=\"ltr\">Let\u2019s be lost and young. \u2022 <a href=\"https:\/\/twitter.com\/hashtag\/Horses?src=hash&amp;ref_src=twsrc%5Etfw\">#Horses<\/a> feat. <a href=\"https:\/\/twitter.com\/lindsayell?ref_src=twsrc%5Etfw\">@LindsayEll<\/a> \u2022 <a href=\"https:\/\/twitter.com\/hashtag\/GraffitiU?src=hash&amp;ref_src=twsrc%5Etfw\">#GraffitiU<\/a> out FRIDAY <a href=\"https:\/\/t.co\/55cTKRilbG\">pic.twitter.com\/55cTKRilbG<\/a><\/p>\n<p>&mdash; Keith Urban (@KeithUrban) <a href=\"https:\/\/twitter.com\/KeithUrban\/status\/989207102722752512?ref_src=twsrc%5Etfw\">April 25, 2018<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>Of his continued drive to collaborate and explore his musical curiosity, Keith says, \u201cI\u2019ve always been creatively curious and I follow that passionately. That\u2019s why I work with different people, and on this album predominantly new people, giving me an opportunity to discover new musical sides of myself.\u201d<\/p>\n<p>When Keith titles his albums, he usually does it with a lot of care, time and consideration. The last two \u2014 Ripcord and Fuse \u2014 had energy-driven titles, while his new record, Graffiti U has a very free, no boundaries feel to it. \u201cAs the record started to reveal itself to me, the word \u2018graffiti\u2019 kept coming to me out of the blue,\u201d says Keith. \u201cI\u2019ve always loved that word, loved the sound of the word, and then I loved the fact that it\u2019s art-driven. When I think of graffiti, I think of self-expression, personal expression, absolutely personal expression whether you\u2019re painting something on the side of a building in a city or whether you\u2019re painting \u2018Billy Bob Loves Charlene\u2019 on the side of an overpass [laughs], it\u2019s all graffiti and it\u2019s all free and pure and very personal, and I thought this record feels like that to me.\u201d<\/p>\n<p>Graffiti U, which has already seen the release of \u201cFemale\u201d and \u201cComing Home,\u201d features over thirty songwriting, producer and featured guest performance credits, including Greg Wells, Dann Huff, Mike Elizondo, Ed Sheeran, Ross Copperman, JHart, Julia Michaels, Nicolle Galyon, J.R. Rotem, Shane McAnally, Shy Carter and a signature lick for \u201cComing Home,\u201d which credits Merle Haggard as one of its songwriters.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u><em>GRAFFITI U<\/em>\u00a0TRACK LIST:<\/u><\/strong><\/p>\n<p><strong><em>Coming Home (Featuring Julia Michaels)<br \/>\n<\/em><\/strong>Written by Keith Urban, J.R. Rotem, Julia Michaels, Merle Haggard, Nicolle Galyon<br \/>\nProduced by J.R. Rotem &amp; Keith Urban<\/p>\n<p><strong><em>Never Comin Down<br \/>\n<\/em><\/strong>Written by Keith Urban, Josh Kerr, James Abrahart, Shy Carter<br \/>\nProduced by Josh Kerr &amp; Keith Urban<\/p>\n<p><strong><em>Same Heart<br \/>\n<\/em><\/strong>Written by Keith Urban, Jason Evigan, Emily Weisband, Jordan Minton<br \/>\nProduced by Jason Evigan &amp; Keith Urban<\/p>\n<p><strong><em>My Wave (Featuring Shy Carter)<br \/>\n<\/em><\/strong>Written by Keith Urban, Greg Wells, Shy Carter<br \/>\nProduced by Greg Wells &amp; Keith Urban<\/p>\n<p><strong><em>Parallel Line<br \/>\n<\/em><\/strong>Written by Ed Sheeran, Benjamin Levin, Johnny McDaid, Julia Michaels, Amy Wadge<br \/>\nContains elements of \u201cEverglow\u201d courtesy of Chris Martin, Will Champion, Jonny Buckland, Guy Berryman, Tor Hermansen and Mikkel Eriksen used by permission.<br \/>\nProduced by Benny Blanco, Ed Sheeran, Johnny McDaid &amp; Keith Urban<\/p>\n<p><strong><em>Drop Top (Featuring Kassi Ashton)<br \/>\n<\/em><\/strong>Written by Keith Urban, Jimmy Robbins, Mozella, Josh Osborne<br \/>\nProduced by Jesse Shatkin, Jimmy Robbins &amp; Keith Urban<\/p>\n<p><strong><em>Way Too Long<br \/>\n<\/em><\/strong>Written by Oscar Holter, Julia Michaels, Nate Ruess<br \/>\nProduced by Oscar Holter for Wolf Cousins Productions<\/p>\n<p><strong><em>Horses (Featuring Lindsay Ell)<br \/>\n<\/em><\/strong>Written by Matt Rad, Mozella, Jamie Scott<br \/>\nProduced by Matt Rad &amp; Keith Urban<\/p>\n<p><strong><em>Gemini<br \/>\n<\/em><\/strong>Written by Keith Urban, Julia Michaels, Justin Tranter, Ian Kirkpatrick<br \/>\nProduced by Ian Kirkpatrick &amp; Keith Urban<\/p>\n<p><strong>\u00a0<\/strong><strong><em>Texas Time<br \/>\n<\/em><\/strong>Written by Max Townsley, Drew Erickson, Steve Lindsey, Dillon O\u2019Brian<br \/>\nProduced by Mike Elizondo &amp; Keith Urban<\/p>\n<p><strong><em>Love The Way It Hurts (So Good)<br \/>\n<\/em><\/strong>Written by Keith Urban, Ben Berger, Ryan Rabin, Ryan McMahon<br \/>\nProduced by Captain Cuts &amp; Keith Urban<\/p>\n<p><strong><em>Female<br \/>\n<\/em><\/strong>Written by Nicolle Galyon, Ross Copperman, Shane McAnally<br \/>\nProduced by Ross Copperman, Dann Huff &amp; Keith Urban<\/p>\n<p><strong><em>Steal My Thunder<br \/>\n<\/em><\/strong>Written by Keith Urban, Jason Evigan, Emily Weisband, Jordan Minton<br \/>\nProduced by Jason Evigan &amp; Keith Urban<\/p>\n<p>For more official Keith Urban news and information go to\u00a0<a href=\"http:\/\/www.keithurban.net\/\" target=\"_blank\">www.keithurban.net<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Friday (April 27th) marks the release of\u00a0Keith Urban\u2019s GRAFFITI U, his first new studio album in nearly two years.\u00a0 The much-anticipated follow up to 2016\u2019s record-breaking, No. 1, platinum album RIPCORD, GRAFFITI U is a natural musical progression that began with FUSE, but it also marks where Urban currently resides creatively. It\u2019s this sense [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"categories":[3],"tags":[],"jetpack_featured_media_url":"https:\/\/cmni.co.uk\/wp-content\/uploads\/2018\/04\/ku-gu.jpg","_links":{"self":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1424"}],"collection":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=1424"}],"version-history":[{"count":1,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1424\/revisions"}],"predecessor-version":[{"id":1425,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1424\/revisions\/1425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media\/1421"}],"wp:attachment":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=1424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=1424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=1424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}