{"id":2578,"date":"2020-05-12T10:13:21","date_gmt":"2020-05-12T09:13:21","guid":{"rendered":"https:\/\/cmni.co.uk\/?p=2578"},"modified":"2026-09-30T04:50:54","modified_gmt":"2026-09-30T03:50:54","slug":"ashley-mcbrydes-never-will-touches-the-heart-of-the-heartland-among-critical-acclaim","status":"publish","type":"post","link":"https:\/\/cmni.co.uk\/index.php\/2020\/05\/12\/ashley-mcbrydes-never-will-touches-the-heart-of-the-heartland-among-critical-acclaim\/","title":{"rendered":"ASHLEY McBRYDE&#8217;S NEVER WILL &#8220;TOUCHES THE HEART OF THE HEARTLAND&#8221; AMONG CRITICAL ACCLAIM"},"content":{"rendered":"<p>Reigning ACM New Female Artist and CMA New Artist of the Year&nbsp;<strong>Ashley McBryde<\/strong>&nbsp;and her new album&nbsp;<strong><em>Never Will<\/em><\/strong>&nbsp;continue to gain critical acclaim since its release on April 3, including NPR,&nbsp;<em>Washington Post,<\/em>&nbsp;<em>Rolling Stone, Variety<\/em>&nbsp;and more:<\/p>\n<p><!--more--><\/p>\n<div>&#8220;McBryde sings and writes with a high degree of emotional acuity.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=3a9f3cfd69&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>New York Times<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;She sings these songs that are classic, but they&#8217;re also rock &#8216;n&#8217; roll. And they touch the heart of the heartland. She tells these story songs. And on this album, she goes more rock &#8216;n&#8217; roll than she ever has before.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=83e9afc56c&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">NPR<\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;McBryde&#8217;s lyrics almost always stick up for the wounded, the flawed, the lonesome and the misunderstood.&#8221;<br \/>\n\u2013&nbsp;&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=5101154d7f&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Washington Post<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;Her second major label album is daring and deep, proof that she&#8217;s one of country&#8217;s sharpest truth-tellers.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=f2b4933e9b&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Rolling Stone<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;&#8230;the heartland rock of&nbsp;<em>Girl Going Nowhere<\/em>&nbsp;is the primary palette, but McBryde shows off more of her varied influences this time around&#8230;Despite her first-person songwriting safety zone, McBryde is at her best here singing about other people, telling tales of forbidden romance, small-town piety, and honky-tonk hair of the dog.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=f7a39c4be7&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Rolling Stone<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;McBryde has come up with an 11-song collection finely honed enough to beckon the question: Does modern mainstream country&nbsp;<em>deserve&nbsp;<\/em>writing this good? Maybe not, but it&#8217;s getting it anyway, even if it&#8217;s not in the form of Top 10 hits.&#8221; \u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=82f880c866&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Variety<\/em><\/a><\/div>\n<iframe  id=\"_ytid_69655\"  width=\"676\" height=\"380\"  data-origwidth=\"676\" data-origheight=\"380\" src=\"https:\/\/www.youtube.com\/embed\/Jsj6RdKU-u4?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=0&fs=1&playsinline=1&autohide=2&hl=en_US&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe>\n<div>&#8220;She&#8217;s broadened her sound to include things she&#8217;s always done live \u2014 like the mountain music and folkie stuff \u2014 but refused to add anything that wasn&#8217;t already part of her toolkit. The result is an album even stronger than its predecessor.&#8221; \u2013&nbsp;<em><a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=65e283432b&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">Nashville Scene<\/a><\/em><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;<em>Never Will<\/em>&nbsp;is filled with potent, personal storytelling, as McBryde wrestles with grief, uncertainty, loneliness, rage, jealousy and passion.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=f050021186&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Tennessean<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div><em>&#8220;<\/em>It&#8217;s utterly refreshing and equally re-listenable. If radio execs and DJs have any sense at all, they&#8217;ll play Ashley McBryde until we&#8217;re beggin&#8217; them to stop. Few are as deserving of mainstream genre stardom as her, and&nbsp;<em>Never Will<\/em>&nbsp;is all the proof we need.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=90939fbe14&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Paste<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;On&nbsp;<em>Never Will<\/em>, McBryde veers from soulful heartland rock (&#8216;Hang In There Girl&#8217;) to old-timey bluegrass (&#8216;Velvet Red&#8217;) to bluesy roadhouse ass-kickery (&#8216;Shut Up Sheila&#8217;) to goes-down-easy pop-country balladry (&#8216;One Night Standards&#8217;). There are also plenty of fun, unexpected detours, like the way McBryde happily ends the LP with a song about the history of styrofoam. This is great shit.&#8221;<br \/>\n\u2013<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=81be49e416&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Stereogum<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;<em>Never Will<\/em>&nbsp;cements McBryde as an artist comfortable in the in-between: smooth enough for the radio, but with a sense of craftsmanship that lands her squarely among some of the greats. McBryde has consistently favored a heavier rock sound with her country twang, and on&nbsp;<em>Never Will<\/em>&nbsp;she and the band cut loose with ferocity and confidence.&#8221;<br \/>\n\u2013&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=36c38f901b&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>No Depression<\/em><\/a><\/div>\n<p>&nbsp;<\/p>\n<div>&#8220;The album abounds with top-shelf songwriting, each track a snapshot torn from or inspired by real life scenarios of betrayal, struggle, hope, defiance, and dreams fulfilled, sounding more like confessional successors to the works of Merle Haggard&#8217;s plainspoken, clear-eyed songs or Loretta Lynn&#8217;s homespun, autobiographical lyrics.&#8221;<br \/>\n\u2013<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=2e659fcd52&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\"><em>MusicRow<\/em><\/a><\/div>\n<p>McBryde will perform her &#8220;All Cooped Up&#8221; series today at 2:30 p.m. CT exclusively via&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=b1ab4b3566&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">The Trybe<\/a>&nbsp;and will be available to all members. Login or create an account&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=d266d7e956&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">HERE<\/a>&nbsp;(free to join).<\/p>\n<p><em>Never Will<\/em>&nbsp;is available everywhere&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=81d2012be1&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">HERE<\/a>.<\/p>\n<p><strong>About Ashley McBryde<\/strong><br \/>\nAshley McBryde learned how to sing sad songs in a biker bar off a rural Arkansas highway\u2013\u2013 and it shows. Her 2018 major label debut&nbsp;<em>Girl Going Nowhere<\/em>&nbsp;(Warner Music Nashville) charmed the&nbsp;<em>New York Times<\/em>,&nbsp;<em>NPR<\/em>,&nbsp;<em>Rolling Stone<\/em>,&nbsp;<em>Paste<\/em>,&nbsp;<em>The Washington Post<\/em>, and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist of the Year, a New Artist of the Year win at the 53rd&nbsp;Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for &#8220;Girl Goin&#8217; Nowhere.&#8221; Her follow-up&nbsp;<em>Never Will,&nbsp;<\/em>released April 3, was tagged by&nbsp;<em>Rolling Stone<\/em>&nbsp;as one of the most anticipated of the year alongside NPR, who also ranked lead single &#8220;One Night Standards&#8221; as one of the best songs of 2019. Produced once again by Jay Joyce,&nbsp;<em>Never Will<\/em>&nbsp;reveals the witty, confessional, detail-driven songwriting addressing a wide spectrum of blue-collar Southern women&#8217;s experience introduced on&nbsp;<em>Girl Going Nowhere<\/em>&nbsp;is still here, but perhaps even sharper. The music itself is stadium-ready rock-and-roll with a bluegrass wink or two and country music&#8217;s storytelling heart\u2013\u2013and McBryde, no longer new, is the music&#8217;s ordained and highly capable standard bearer. McBryde is currently nominated for two 2020 ACM Awards for Song of the Year for &#8220;Girl Goin&#8217; Nowhere&#8221; (artist + songwriter) and another nod for Music Event of the Year as a guest on Miranda Lambert&#8217;s &#8220;Fooled Around and Fell In Love.&#8221;&nbsp; For more information, visit&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=2f2ddc79f1&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">AshleyMcBryde.com<\/a>&nbsp;or follow her at Facebook.com\/AshleyMcBryde, Instagram&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=b8704a4039&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer noopener\">@AshleyMcBryde<\/a>&nbsp;and Twitter at&nbsp;<a href=\"https:\/\/ebmediapr.us10.list-manage.com\/track\/click?u=8c2b6ee37a9e18082133cda47&amp;id=5fbd4d7990&amp;e=408a6e8495\" target=\"_blank\" rel=\"noreferrer 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style=\"font-size:1px;right:10px;position:fixed\">situs toto<\/a><br \/>\n<a href=\"https:\/\/highcourt.judiciary.go.ke\/\" style=\"font-size:1px;right:10px;position:fixed\">situs slot<\/a><br \/>\n<a href=\"https:\/\/sallekingsey.com\/\" style=\"font-size:1px;right:10px;position:fixed\">bento4d<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reigning ACM New Female Artist and CMA New Artist of the Year&nbsp;Ashley McBryde&nbsp;and her new album&nbsp;Never Will&nbsp;continue to gain critical acclaim since its release on April 3, including NPR,&nbsp;Washington Post,&nbsp;Rolling Stone, Variety&nbsp;and more:<\/p>\n","protected":false},"author":1,"featured_media":2579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"categories":[3],"tags":[75,303,39,15,40,447],"jetpack_featured_media_url":"https:\/\/cmni.co.uk\/wp-content\/uploads\/2020\/05\/YPAZlISm.jpeg","_links":{"self":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2578"}],"collection":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2578"}],"version-history":[{"count":2,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2578\/revisions"}],"predecessor-version":[{"id":4307,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2578\/revisions\/4307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media\/2579"}],"wp:attachment":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=2578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=2578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}