{"id":3573,"date":"2025-01-23T14:18:00","date_gmt":"2025-01-23T14:18:00","guid":{"rendered":"https:\/\/cmni.co.uk\/?p=3573"},"modified":"2025-02-24T14:23:18","modified_gmt":"2025-02-24T14:23:18","slug":"taylor-rae-follows-hit-debut-with-new-album-the-void-out-april-18th","status":"publish","type":"post","link":"https:\/\/cmni.co.uk\/index.php\/2025\/01\/23\/taylor-rae-follows-hit-debut-with-new-album-the-void-out-april-18th\/","title":{"rendered":"Taylor Rae Follows Hit Debut With New Album The Void, Out April 18th"},"content":{"rendered":"\n<p><strong>Heavy-Hitting New Single &#8220;Maybe I&#8217;m The Villain&#8221; Out Today<\/strong><\/p>\n\n\n\n<p>Austin based singer\/songwriter\u00a0<strong>Taylor Rae<\/strong>\u00a0has announced her new album\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/tracking.us.nylas.com\/l\/b5140c859a2941918d15a6320b67e784\/1\/8d9ba86fc112918571205c312de576f7a14c8d781da4c7d2dc34a4be2859ea80?cache_buster=1737641237\" target=\"_blank\"><strong><em>The Void<\/em><\/strong><\/a>,which is set for release on\u00a0<strong>April 18th<\/strong>. The anticipated follow-up to her acclaimed 2021 debut\u00a0<em>Mad Twenties<\/em>,\u00a0<em>The Void<\/em>\u00a0is an immersive and wildly eclectic album that both confirms Rae&#8217;s status as an Americana A-lister as well as reaches far beyond the genre&#8217;s borders.\u00a0<\/p>\n\n\n\n<!--more-->\n\n\n\n<p><br>Rae has also unveiled today the first peak at the new album with the heavy-hitting alt-tinged juggernaut &#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/tracking.us.nylas.com\/l\/b5140c859a2941918d15a6320b67e784\/2\/720f7fa49bf565f914075f54c717459dd592b39aa9cff784e566aed851134395?cache_buster=1737641237\" target=\"_blank\"><strong>Maybe I&#8217;m The Villain<\/strong><\/a>&#8220;, a self-reflective track that strives to view things through the opposite lens.\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/tracking.us.nylas.com\/l\/b5140c859a2941918d15a6320b67e784\/3\/f962fee88e30e044b8805348960ca24e47663e59f0034ba62d7652f5baeedcbb?cache_buster=1737641237\" target=\"_blank\"><em>Holler<\/em><\/a>\u00a0featured the track and raved, &#8220;With its lush, sweeping harmonies, sugary &#8217;90s pop gloss and crunching backbeat, the swampy country funk of &#8216;Maybe I&#8217;m the Villain&#8217; is a bold statement of intent that sounds like All Saints recording with The Muscle Shoals Rhythm Section.&#8221;<br><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/tracking.us.nylas.com\/l\/b5140c859a2941918d15a6320b67e784\/4\/eaaea0f8165fbfcc640e79738f557d1d761ba4a5dfb87669756528df02358c39?cache_buster=1737641237\" target=\"_blank\"><strong>Listen To &#8220;Maybe I&#8217;m The Villain&#8221; HERE<\/strong><\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/tracking.us.nylas.com\/l\/b5140c859a2941918d15a6320b67e784\/5\/359df70396aff124f833ddbeb6984bd2b50ccdc9a46535c23076a119c550f1fe?cache_buster=1737641237\" target=\"_blank\"><strong>Pre-Order\/Pre-Save\u00a0<em>The Void<\/em>\u00a0HERE<\/strong><\/a><\/p>\n\n\n\n<p><em>&#8220;The concept for this song came while I was quarreling with someone, and for the life of me, I just could not see their side,&#8221;<\/em>\u00a0said Rae.\u00a0<em>&#8220;Then it dawned on me that when we have opposing thoughts with others, it is likely they view us as the villain of the story. From there, I was then inspired to tie it into the very light topic of Intergenerational Trauma. This story became about my family history. Over the course of my twenties I spent so much time in therapy uncovering patterns and learning how to break generational cycles, but it has proved to be a nearly impossible task. There are times when I genuinely scare myself after reflecting on my own past behaviors and decisions, because they remind me of exactly what I&#8217;ve been trying to avoid doing and\/or being for so long. This is a deeply self-reflective song that explores the result of having been hurt by the people around you, and how if you&#8217;re not careful, you just regurgitate it onto others, and even yourself. Every song on The Void portrays a different thing I&#8217;ve had to get comfortable with being uncomfortable with.&#8221;<\/em><\/p>\n\n\n\n<p><strong><u>Tracklisting:<\/u><\/strong><br>1. The Void<br>2. Maybe I&#8217;m The Villain<br>3. Cologne<br>4. Telluride<br>5. Undertone<br>6. Celebrating Alone<br>7. Not Mine<br>8. Hi<br>9. Trapped<br>10. The Airport Song<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-1024x1024.jpg\" alt=\"\" class=\"wp-image-3575\" srcset=\"https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-1024x1024.jpg 1024w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-300x300.jpg 300w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-150x150.jpg 150w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-768x768.jpg 768w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-1536x1536.jpg 1536w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-2048x2048.jpg 2048w, https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_The-Void_Album-Cover-676x676.jpg 676w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Hailed by\u00a0<em>No Depression<\/em>\u00a0as &#8220;a singer fully in command of her vocal gifts and a songwriter who enfolds her lyric sensibility in haunting musical sketches,&#8221; Rae has spent years touring behind her career-launching debut, driving herself from show to show, watching America unfold outside the car windshield. While crisscrossing the country and playing over 200 gigs a year, including supporting artists such as Sierra Hull, Pokey LaFarge, The Head and the Heart, John Craigie, Band of Heathens, and The Brothers Comatose, she watched\u00a0<em>Mad Twenties<\/em>\u00a0become a national hit. The record wound up spending more than\u00a0<strong>30 weeks on the Americana Radio charts<\/strong>. No other independently-released album enjoyed a longer stay on the Americana charts.<\/p>\n\n\n\n<p><br>Now with her sophomore release, Rae takes her eyes off the road and turns her attention inward. Filled with the most personal songs of her career,\u00a0<em>The Void<\/em>\u00a0is a sharply-written record that celebrates the contradictory and complementary parts of the human experience, exploring life&#8217;s dark corners \u2014 from breakups to intergenerational trauma \u2014 with a colorful mix of roadhouse roots-rock, modern-day folk, alternative music, blues, and analog Americana. Anchored by a songwriting style that explores the uncharted spaces between genres, she took inspiration from the roots of American music while also maintaining a modern edge.<\/p>\n\n\n\n<p><br>Produced by Grammy-winner\u00a0<strong>Eric Krasno<\/strong>\u00a0(Soulive, Lettuce, Tedeschi Trucks Band) and recorded out of his studio in Pasadena,\u00a0<em>The Void<\/em>\u00a0features songs that are vulnerable, self-examinations rooted in loss and heartbreak, while others are celebrations of new love. Together, they explore the contrasts that have filled Rae&#8217;s life of late: darkness and light, chaos and balance, closed doors and new beginnings. Some songs were built around live-in-the-studio performances that showcased her strength as a stage performer. Others were recorded layer by layer. The result is a stunning blend of cinematic slow-burners, self-empowerment anthems, raw stripped-down field recordings, bluegrass-inspired barn-burners, and even the occasional reggae rhythm.<\/p>\n\n\n\n<p><br><em>&#8220;The main theme is introspection,&#8221;<\/em>\u00a0Rae continues.<em>\u00a0&#8220;The past four years have been such a trying time with constant change. Sometimes it felt like I was staring into the void, and I decided to document the moment by writing these songs.&#8221;<\/em><br>As the sound fades into the ether, we&#8217;re reminded that the road goes on forever, shuttling us from the past toward whatever future lies ahead.\u00a0<em>The Void<\/em>\u00a0is the soundtrack to that unending journey, whipped into existence by a singer\/songwriter who&#8217;s dedicated to the long haul.<\/p>\n\n\n\n<p><strong>Tour Dates:<\/strong><br>24\/1 &#8211; Edinburgh, UK @ Cabaret Voltaire*<br>25\/1 &#8211; Sheffield, UK @ 290 Albert Road*<br>26\/1 &#8211; Manchester, UK @ Night &amp; Day Cafe*<br>27\/1 &#8211; Birmingham, UK @ Hare &amp; Hounds*<br>1\/2 &#8211; Berlin, DE @ Prachtwerk*<br>2\/2 &#8211; Hamburg, DE @ H\u00c4KKEN*<br>3\/2 &#8211; Copenhagen, DK @ VEGA*<br>5\/2 &#8211; Stockholm, SE @ Bar Brooklyn*<br>*supporting John Craigie<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heavy-Hitting New Single &#8220;Maybe I&#8217;m The Villain&#8221; Out Today Austin based singer\/songwriter\u00a0Taylor Rae\u00a0has announced her new album\u00a0The Void,which is set for release on\u00a0April 18th. The anticipated follow-up to her acclaimed 2021 debut\u00a0Mad Twenties,\u00a0The Void\u00a0is an immersive and wildly eclectic album that both confirms Rae&#8217;s status as an Americana A-lister as well as reaches far beyond [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"categories":[3],"tags":[],"jetpack_featured_media_url":"https:\/\/cmni.co.uk\/wp-content\/uploads\/2025\/02\/Taylor-Rae_Press-Photo-01-credit_Barbara-FG-scaled.jpeg","_links":{"self":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3573"}],"collection":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=3573"}],"version-history":[{"count":1,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3573\/revisions"}],"predecessor-version":[{"id":3576,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/3573\/revisions\/3576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media\/3574"}],"wp:attachment":[{"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=3573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=3573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cmni.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=3573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}